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Harold Weston (1894-1972), Giant, 1922

Harold Weston (1894-1972), Giant, 1922

Adirondack Masterpieces at The Hyde

By Mirror Staff

Monday, January 26, 2015

If The Hyde Collection had ever hoped to mount an exhibition of the art of the Adirondacks, the result could not have been more comprehensive than the show that the Glens Falls museum will present from January 18 through April 12.

“Wild Nature: Masterworks from the Adirondack Museum,” as the title signifies, is composed solely of works within the permanent collection of the Adirondack Museum.

Jonas Lie (1880-1940), Main Camp, Kamp Kill Kare, 1930.

Jonas Lie (1880-1940), Main Camp, Kamp Kill Kare, 1930.

For those who have never visited the museum in Blue Mountain Lake, “Wild Nature” is an introduction both to master works of American art depicting the landscape of the Adirondacks and to the museum itself, which is closed in the off-season.

The show is composed of sixty-two works dating from 1821 to 2001, and includes photographs and prints as well as paintings.

Works of the 19th century Hudson River School, by painters such as Thomas Cole, Sanford Robinson Gifford, John Frederick Kensett, Homer Dodge Martin, and Williams Trost Richards, are featured prominently.

The show also includes works by 20th century artists such as Rockwell Kent, Harold Weston, John Marin, Jonas Lie, Dorothy Dehner and David Smith.

Homer Dodge Martin (1836-1897), Mountain View on the Saranac, 1868.

Homer Dodge Martin (1836-1897), Mountain View on the Saranac, 1868.

“The 19thcentury works reveal how images of the Adirondack landscape shaped American perceptions of the wilderness landscape, and how these expectations, in turn, created wilderness as a national icon,” stated the show’s curators, Erin Coe, formerly of The Hyde, Laura Rice, chief curator of the Adirondack Museum and Caroline Welsh, senior art historian and director emeritus.

The selection of works from the 20th century, they stated, “explores how themes of wilderness persist in the work of these modern artists while their abstract or realist approach, combined with their own personal expression, reflects changing attitudes toward the natural environment.”

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